A city-boy reading of the Sámi artist Máret Ánne Sara's work

Readers respond to Jonathan Jones’s Tate Modern review, including the charge that the artworks ‘fail to impose themselves on the venue’s vast space’ Jonathan Jones’s review of Máret Ánne Sara’s installation at Tate Modern in London completely misses the point (13 October). The land the Sámi live (…)

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Site référencé: The Guardian (Middle East)

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