Anemone review – Daniel Day-Lewis returns for a bleak and painfully serious misfire
New York film festival: the actor un-retires, with his son onboard to direct, for a portentous and plodding film about war-torn men It has been eight long years since Daniel Day-Lewis last graced the screen, after the filming of 2017’s Phantom Thread left him “overwhelmed by a sense of sadness”. (…)
Site référencé:
The Guardian (Asia Pacific)
2145.jpg?width=140&quality=85&auto=format&fit=max&s=d4fc0711eb6bd1a31fd9c31aadd55e12, 2145.jpg?width=460&quality=85&auto=format&fit=max&s=65e1ece5ba51bbb3e6fd89bbf2419db7, 2145.jpg?width=700&quality=85&auto=format&fit=max&s=90d03af3a16d4dc81ef065d030c9dd4d
The Guardian (Asia Pacific)
Germany’s anti-diversity backlash isn’t fatigue – it’s strategy masquerading as neutrality | Fatma Aydemir
30/09/2025
‘It’s more than martial arts – we teach courage‘ : the Afghan sisters honing karate skills in Iran
30/09/2025
Chad Powers review – Glen Powell gives one of the most magnetic and magical performances in memory
30/09/2025
Extremely offline : what happened when a Pacific island was cut off from the internet | Samanth Subramanian
30/09/2025
My mother was shot by the police – and that bullet changed everything
30/09/2025
Indonesia school collapse : one dead, 65 buried under rubble as rescuers race to find survivors
30/09/2025