Choreographer Sharon Eyal : ‘I don’t like it when a dancer is comfortable – I want to see the (…)
      Her latest work is built on dark, minimal beats and groups of dancers moving in unison. It’s sensual, visceral and, she says, totally intuitive A couple of summers ago I was in a club in Manchester, dancing alone in the dark, when bodies suddenly flooded the dancefloor. Androgynous men and women (…)
  
  
  
  
     Site référencé: 
      The Guardian (Asia Pacific)
    
  
  
  
   5512.jpg?width=140&quality=85&auto=format&fit=max&s=65f84f8ffd2f0eddc788ad3eb43b8d93, 5512.jpg?width=460&quality=85&auto=format&fit=max&s=f96d1c437c8c5280011f4ad8f4194580, 5512.jpg?width=700&quality=85&auto=format&fit=max&s=63de475c6f9bf5ee1f8e319d8ec6e6ce
The Guardian (Asia Pacific)
UN leaders condemn ‘horrifying’ mass killings in Sudan
30/10/2025
    OpenAI thought to be preparing for $1tn stock market float
30/10/2025
    Four feet higher and rising : Barcelona’s Sagrada Familia becomes world’s tallest church
30/10/2025
    US climate activists condemn 18-month jail term for nonviolent art museum protester
30/10/2025
    Ruben Amorim’s year at United : renaissance of hope on a long, difficult journey
30/10/2025
    Ben Jennings on Halloween and the budget – cartoon
30/10/2025
    