Dead Man Walking review – searing honesty and humanity in ENO’s staging of Heggie’s compelling opera
London Coliseum In its first full UK staging, Jake Heggie and Terrence McNally’s adaptation of the memoir by Sister Helen Prejean is an anguished reflection on truth, compassion and capital punishment, sung with empathy and pathos Premiered in 2000, Jake Heggie’s Dead Man Walking is the most (…)
Site référencé:
The Guardian (South&CentralAsia)
3826.jpg?width=140&quality=85&auto=format&fit=max&s=d70f36644c2e0ca0c4a7f21de6e7e7bb, 3826.jpg?width=460&quality=85&auto=format&fit=max&s=a103ae021e33c9d91eafa88e4e930f03, 3826.jpg?width=700&quality=85&auto=format&fit=max&s=34aa7a09d8bcb4a86c019e1c57ff7b33
The Guardian (South&CentralAsia)
It’s time to get serious about children’s play | Letters
3/11/2025
We need clarity on big pharma’s tax breaks | Letters
3/11/2025
Time for Reeves to recognise reality : AstraZeneca has killed stamp duty on shares | Nils Pratley
3/11/2025
Safety of train users and staff is paramount | Brief letters
3/11/2025
Coco Gauff’s second serve the only thing between her and sustained success
3/11/2025
Trash talk : why are UK kids using so many Americanisms ?
3/11/2025