Hedda review – Ibsen meets Downton Abbey in Nia DaCosta’s exotic rendering of classic play
High society in 1950s Britain is the setting in which Tessa Thompson’s free-spirited but manipulative Hedda marries for money. Cue jaded pleasure and absurdity 3Nia DaCosta, known for her satirical horror Candyman from 2021, has now created an exotic melodrama; it is ridiculous, intense, (…)
Site référencé:
The Guardian (Asia Pacific)
2500.jpg?width=140&quality=85&auto=format&fit=max&s=de9ab5106e7f5c1f053146c0d690117d, 2500.jpg?width=460&quality=85&auto=format&fit=max&s=ab5aa863c5df46f2ecf57c7d8b5438ed, 2500.jpg?width=700&quality=85&auto=format&fit=max&s=2034eea92497a8730ae2c7aa21aaadcb
The Guardian (Asia Pacific)
Fair Work Agency requires proper resources | Letter
22/10/2025
‘Non-crime hate’ or differing opinions ? | Brief letters
22/10/2025
Heathrow third runway plans to be fast-tracked for ‘full benefits sooner’
22/10/2025
Australia bring back bad memories for England at Women’s World Cup
22/10/2025
Grace Wales Bonner : British designer behind rise of Sambas to lead Hermès menswear
22/10/2025
Poetry in motion : the most joyous four hours I’ve ever spent on a train | Adrian Chiles
22/10/2025