‘Really entertaining in a horrible way’ : the indestructible appeal of Tosca

With its screams, sex, bells and bloodshed Puccini’s opera was initially derided as a noisy disaster. Ahead of Glyndebourne’s first ever production, we look the ‘shabby little shocker’ that’s become one of opera’s most bankable masterpieces Gustav Mahler hated it. Its publisher was convinced it (…)