Return of Aparicio painting to Prado exemplifies trajectory of human taste
Once the Madrid museum’s biggest draw, The Year of the Famine in Madrid fell out of favour for political and aesthetic reasons No trip to the Prado these days is complete without a visit to room 12 of the Madrid museum, where Diego Velázquez, a five-year-old princess and a sleepy mastiff stare (…)
Site référencé: The Guardian (Africa)
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The Guardian (Africa)
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