Shobana Jeyasingh Dance : We Caliban review – postcolonial take on The Tempest is difficult to (…)
York Theatre Royal Jeyasingh’s choreography is well wrought and precise but Caliban’s struggles with servitude and resistance feel adrift amid a sea of ideas Choreographer Shobana Jeyasingh originally moved to the UK in the early 1980s to study Shakespeare, so it’s safe to say she has deeply (…)
Site référencé:
The Guardian (South&CentralAsia)
2003.jpg?width=140&quality=85&auto=format&fit=max&s=99da6b987e1cac9f9a98e124aa7d3cc4, 2003.jpg?width=460&quality=85&auto=format&fit=max&s=287dfeae1f2e7fcb73aa6e13e2dbe998, 2003.jpg?width=700&quality=85&auto=format&fit=max&s=89a56dfb322b88b6109432cc3544c41a
The Guardian (South&CentralAsia)
670 Grams, Birmingham B9 : ‘A cascade of small, meaningful bowls that just ooze flavour’ – restaurant review | Grace Dent on restaurants
19/10/2025
I want to marry my girlfriend, but I’m worried it may upset my young son
19/10/2025
The return of ‘Tescopoly’ ? How Britain’s biggest retailer dominates everyday life
19/10/2025
Spare us from romcom Austen. Give me the dark side of 19th-century life any day | Rhiannon Lucy Cosslett
19/10/2025
Italian blasphemy and German ingenuity : how swear words differ around the world
19/10/2025
Should friendship really be a ‘one strike and you’re out’ deal ?
19/10/2025