The Gambler review – kooky dancing and onstage rock in dizzying Dostoevsky adaptation

8 février 2026 | Lucinda Everett
The Coronet theatre, London Japanese company Chiten abandon naturalism for rhythmic dialogue and highly stylised movements – but there is much invention to admire Dostoevsky wrote his 1866 novella, The Gambler, in 30 days to pay off his own gambling debts, having wagered the publishing rights of (…)
 Site référencé:  The Guardian (Europe)

The Guardian (Europe) 

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