The Makropulos Case review : Ausrine Stundyte is magnetic in exhilarating – and funny – Janáček (…)
Royal Opera House, London Katie Mitchell’s production wittily reinvigorates Janáček’s story of an immortal woman, via toxic masculinity and dating apps. Jakub Hrůša’s conducting draws out the music’s colours and the cast are uniformly strong The director Katie Mitchell recently announced that (…)
Site référencé:
The Guardian (South&CentralAsia)
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