The Running Man review – Glen Powell sprints through fun update of Stephen King future-shock (…)
Full-tilt chase sequences, a punk aesthetic and a sugar-rush soundtrack, means there is plenty of enjoyment to be had as Edgar Wright goes back to King’s original 1982 novel Edgar Wright, that unstoppable force for good in cinema, has revived the sci-fi thriller satire last seen in 1987 with (…)
Site référencé:
The Guardian
2516.jpg?width=140&quality=85&auto=format&fit=max&s=9a81879ebc5cde8d7bd11430fabde830, 2516.jpg?width=460&quality=85&auto=format&fit=max&s=42e37e33192e177c3ab9fe1b4232c043, 2516.jpg?width=700&quality=85&auto=format&fit=max&s=7da6c8dc412b2f717e41b68f8ffd1182
The Guardian
Now You See Me : Now You Don’t review – light-as-a-feather magic threequel
11/11/2025
Durham’s Lumiere festival was a beacon of hope and togetherness – we cannot let the lights go out on the rest of the arts
11/11/2025
The race begins to make the world’s best self-driving cars
11/11/2025
Old is M Night Shyamalan at his best : ambitious, abrasive and surprisingly poignant
11/11/2025
Carnival season in Germany and Armistice Day services : photos of the day – Tuesday
11/11/2025
‘Makes your skin sag and your bones creak’ – Come Dine With Me : Teens is the tedious spin-off no one needed
11/11/2025