Tracey Emin : A Second Life review – this show of undiluted love, heartache and pain left me a (…)

25 février 2026 | Eddy Frankel
Tate Modern, London Forget the sex and drugs of the 90s. This wildly emotional exhibition shows that Emin’s life’s work has been turning suffering into sculpture, insults into poetry – and agony into art It feels as if you’re intruding. Walking into Tate Modern’s huge Tracey Emin retrospective (…)
 Site référencé:  The Guardian (Africa)

The Guardian (Africa) 

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