Hedda review – Ibsen meets Downton Abbey in Nia DaCosta’s exotic rendering of classic play
High society in 1950s Britain is the setting in which Tessa Thompson’s free-spirited but manipulative Hedda marries for money. Cue jaded pleasure and absurdity Nia DaCosta, known for her satirical horror Candyman from 2021, has now created an exotic melodrama; it is ridiculous, intense, (…)
Site référencé:
The Guardian (Africa)
2500.jpg?width=140&quality=85&auto=format&fit=max&s=de9ab5106e7f5c1f053146c0d690117d, 2500.jpg?width=460&quality=85&auto=format&fit=max&s=ab5aa863c5df46f2ecf57c7d8b5438ed, 2500.jpg?width=700&quality=85&auto=format&fit=max&s=2034eea92497a8730ae2c7aa21aaadcb
The Guardian (Africa)
US military kills two people in strike on alleged drug-trafficking boat in Pacific
22/10/2025
Pregnant women report medical neglect in ICE detention, rights groups say
22/10/2025
Ben Jennings on Prince Andrew’s home in Great Windsor Park – cartoon
22/10/2025
Rayner’s return gives a lift to Labour’s gloomy backbenchers
22/10/2025
London woman’s £150 fine for pouring coffee down street drain revoked
22/10/2025
The Guardian view on campus discontent : listen to those on the frontline | Editorial
22/10/2025