Julio Le Parc review – as if Bridget Riley had opened a riotous funfair
Tate Modern, London The late artist found his calling in febrile 1960s Paris and this exhibition is imbued with an anarchist spirit – you can even spin the paintings! In a great scene in Jean-Luc Godard’s 1964 film Bande à Part, the young protagonists run through the Louvre, leaving puzzled art (…)
Site référencé: The Guardian (Asia Pacific)
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The Guardian (Asia Pacific)
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