Orlando review – a confident romp through Handel’s flimsily plotted opera
Longborough Festival Opera, Moreton-in-Marsh Sinéad O’Neill’s production is persuasive and Beth Taylor’s performace as Orlando is extraordinary in this tale of unrequited love, madness and magic The woodland outside Longborough’s theatre, deep in the Cotswolds, sneaks inside and on to the stage (…)
Site référencé: The Guardian (South&CentralAsia)
6250.jpg?width=140&quality=85&auto=format&fit=max&s=6fa40c453fa1ec003e8a57ba193f0b57, 6250.jpg?width=460&quality=85&auto=format&fit=max&s=5df08b17b283cf2a38dd997572a06bf9, 6250.jpg?width=700&quality=85&auto=format&fit=max&s=b749bab14ef6200035acf7eff7260b99
The Guardian (South&CentralAsia)
A tale of two Francks ? World’s oldest leader creates deputy role – raising prospect of dynastic succession
2/06/2026
I devoured classic novels as a teenager. In a world of distractions, can I relearn how to read them ?
2/06/2026
‘They take you out of life, out of time’ : a journey into Spain’s astonishing cave paintings
2/06/2026
Not Suitable for Work review – Mindy Kaling tries to make the new Friends … and utterly fails
2/06/2026
‘They took everything’ : arson attack destroyed a mother’s memories of her dead son
2/06/2026
Weapons are one thing, but if war breaks out, Europe’s best resource is its people | Elisabeth Braw
2/06/2026