One of Britain’s most outstanding playwrights famed for the ‘hypnotised brilliance’ of his prose and dialogue After the first night of his play Rosencrantz and Guildenstern Are Dead at the National Theatre in London in 1967, Tom Stoppard awoke, like Lord Byron, and found himself famous. This new (…)
Site référencé: The Guardian (Asia Pacific)
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The Guardian (Asia Pacific)
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