One of Britain’s most outstanding playwrights famed for the ‘hypnotised brilliance’ of his prose and dialogue After the first night of his play Rosencrantz and Guildenstern Are Dead at the National Theatre in London in 1967, Tom Stoppard awoke, like Lord Byron, and found himself famous. This new (…)
Site référencé: The Guardian (Asia Pacific)
3034.jpg?width=140&quality=85&auto=format&fit=max&s=63a13201b9702595d8adebe5700b82ce, 3034.jpg?width=460&quality=85&auto=format&fit=max&s=7fb52bd532779c2561934f8c2a55d95d, 3034.jpg?width=700&quality=85&auto=format&fit=max&s=4b1e692d4301c34e4adb353d06ca22be
The Guardian (Asia Pacific)
Why we have to continue with animal testing for medical research | Letters
30/11/2025
Shabana Mahmood and my surprise at teenagers’ views on immigration | Letter
30/11/2025
Let’s not repeat the folly of PFIs for NHS buildings | Letter
30/11/2025
A more nuanced approach to ultra-processed foods is necessary | Letters
30/11/2025
The Guardian view on the Send crisis : Bridget Phillipson must be tough with the Treasury so children aren’t penalised | Editorial
30/11/2025
The Guardian view on the inequality emergency : why a Nobel prize winner’s warning must be heeded | Editorial
30/11/2025